On June 25th, Lucy Dacus released Home Video, her third studio album. I’ve been a fan of Dacus since I heard her first single back in 2016, “I Don’t Wanna Be Funny Anymore,” a song which explores the niche yet relatable experience of being the “funny one” and how that impacts one’s sense of identity. I was so taken by that song in particular that I began following her career in earnest, and she has yet to disappoint. I was obsessed with her sophomore album, Historian—I think I’ve listened to the song “Night Shift” over 100 times at this point—and I’m also a big fan of Boygenius, the sad!queer supergroup Dacus formed with Julien Baker and Phoebe Bridgers.
Needless to say, I was fully primed to love her new album, and I’m pleased to report that it still managed to exceed my expectations. With Home Video, Dacus shifts the lens from the present to focus on her suburban Christian upbringing in Richmond, Virginia, and how those memories and romantic entanglements inform the person she’s become. It’s a crush of nostalgia, confusion, naivete and burgeoning queerness, and it’s proof that Dacus has hit her stride.
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